I heard Leonard Cohen for the first time at Top Fuel, a small coffee shop in Hollywood on Sunset Boulevard. He sang like stars across the sky, soaring through the jukebox, like a million birds flying in different directions.
In lacy slips thrown over jeans, my friend Emily and I liked to skip school, catch a bus into Hollywood and hang out at this coffee shop. Someone was always trying to shut the place down and you were supposed to be at least eighteen to enter. A big red sign hung on the back door, but no one ever checked our IDs.
The men and women who went there were mostly sober, trying to stay clean. Ordering coffee, playing pool, and jamming quarters into the jukebox was their way to abandon drinking, drugs, stripping, and gambling. These were real live characters Emily and I could sink our teeth into. I liked to write and Emily liked to draw. We both carried heavy notebooks filled with our observations. I don’t think I ever fully understood the severity or desperation in these customers or their situations, but I knew I looked up to them. They were warriors battling against the big broom and dustpan that was coming to repair Hollywood so that tourists could feel safer as they spent their money, pretending to brush shoulders with celebrities at the Hollywood Chinese Mann Theater. They were trying not to drown in a world that didn’t want them anyway.
Ron owned the place. He was in his middle forties and was a DJ at the Crazy Girls strip club. He rode a Harley and had a long thick mustache. He had a young daughter named Priscilla. She liked to sit at the counter and draw fairies and dragons.
Emily and I were sitting at our favorite table, which was covered in Vargas Girl stickers, when Ron walked up to the jukebox, pressed his face against the glass and dropped his quarter in. I was expecting Danzig or Kid Rock, but instead “Who By Fire” by Leonard Cohen started playing. The music was haunting. The music poked at your ribs. I let the sound cover all of me.
The place was dead, just a few people playing a quiet game of pool. But the walls rattled, they were alive, breathing in the music and the words. I swallowed every word; I did not want to forget. I saw strong images in these words; I saw pictures, blessings, magic, and beauty. I saw drugs and pills, beautiful girls gone ugly, ugly girls becoming beautiful, lipstick, stilettos, prostitutes, hummingbirds, daggers, knives, people hungry for desire, people hungry for love. I saw the Hollywood sign, luminous, large and white. I saw apocalypse and outer space. I saw unity, torn newspapers, claws, fins, and feathers.
“And who in her lonely slip, who by barbiturate,
who in these realms of love, who by something blunt,
and who by avalanche, who by powder,
who for his greed, who for his hunger,
and who shall I say is calling?”
—Leonard Cohen
Is there a song that conjures up a memory, a world, or an experience for you? Where were you when you first heard this song? What was happening in your life at the time?
Feel free to comment with your own writing!
December 4, 2008 at 2:50 pm
I love this post! And while I don’t have a specific music-writing story to share, I always find where people get their inspiration from fascinating, much like Leigh’s post last week.
This was in the NYTimes recently- a short blog post about how we can find identity inside of music, and I thought it relevant.
http://measureformeasure.blogs.nytimes.com/2008/12/03/which-side-are-you-on/?8dpc
December 5, 2008 at 1:04 pm
This is a really interesting post. A little coming of age story where a person intersects with a cultural artifact at just the right time. It shows how everything on the outside of a person effects them on the inside.
I was 18 when I first heard a recording of Richard Pryor’s album “Is It Something I said.”
I couldn’t believe my ears. I laughed until I cried, falling down on the floor in my friend’s apartment and rolling hysterically on the hard oak planks. Afterwards I listened to that album over and over again until I had it memorized.
I remember being totally blown away by the raw honesty and absurd humor. But mostly it was the sweetness and compassion of the story telling interwoven with the chilling pain that motivated the telling of those stories in the first place.
Pryor told little slices of slices of life where you could see and feel the impact of the entire world in a single character. It changed my way of thinking about storytelling forever and showed me you could address social and political issues in a non-political way.
And that, I guess is the purpose of a blog dedicated to writing and democracy.
January 25, 2010 at 5:42 pm
I really enyojed this brilliant blog. Please keep them coming. Greets!!!
February 5, 2010 at 12:20 am
Good, true bad, specially from the major news corperations with the big slants to the left or right. Did you see last nights O’Rielly factor? haha, that was rediculous! Sorry, I am rambling on once again. Have a Great day!